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3 years ago

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An animated short depicts a hungry character spying a delicious pie. The character's tongue drops down and he begins salivating

to the point that the screen gets flooded. What principle of animation does this scene demonstrate?

1 answer:

Vanyuwa [196]3 years ago

4 0

Answer:

ahhhhhhhh idk

Explanation:

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Jean-François Millet's The Gleaners blends _______ with realism.

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<span>Jean-François Millet's The Gleaners blends Socialism with Realism. Millet </span>was prompted by social injustice to paint it. <span>The Gleaners painting depicts three peasant women gleaning a field of stray grains of wheat after the harvest. This </span>capture both the poverty and dignity of rural French life. <span>He was considered a socialist revolutionary.</span>

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3 years ago

Duke Ellington was one of the first big band leaders to use the string bass as a solo instrument.

Alexxandr [17]

Answer:

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than six decades.

Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz.

Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, with many of his pieces having become standards. Ellington also recorded songs written by his bandsmen, for example Juan Tizol "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival, in July 1956, Ellington and his orchestra enjoyed a major revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in several films, scored several, and composed a handful of stage musicals.

Ellington was noted for his inventive use of the orchestra, or big band, and for his eloquence and charisma. His reputation continued to rise after he died, and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

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3 years ago

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What hegemonic norms of gender did the film, Micky Mouse Monopoly, bring to

lina2011 [118]

Answer:

Explanation:

Given its global reach, how the Walt Disney Company handles the role of race, gender, and s3xuality in social structural inequality merits serious

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2 years ago

Hurry up and anwser please

myrzilka [38]

Ok so hi I’m Lester green ami it’s g

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3 years ago

How are you working with proportion in your realistic drawing?

gregori [183]

Answer:

You should try to keep the one viewpoint in mind, to be careful of the perspective, to draw additional helping lines (the grid, the axis, the central line, etc.), and always measure one part of the object in relation to another (measure height according to length for example, or distance of one object in relation to other distance)

Explanation:

The proportions are the basics of realistic drawings and they include the lifelike relations of the objects, the same observant spot, and the correct positioning of the objects, and the good measurements.

First, <u>you must make sure all objects on the drawing are presented as seen from the same angle and point of view.</u> That means you should have the one perspective point, and draw all things shown as seen from that point.

The second is to have a good perspective on things. The lines should not be completely straight, but they should go closer as the object is presented as “further”. These imaginary lines at the edge of the object should meet at one vanishing point on the horizon. This means your perspective is good.

I<u>t is a good idea to draw a grid on the paper first in thin lines</u>. This way, <u>you can separate parts of your drawing, and see how they relate to one another.</u> The grid is especially useful when drawing something from the photography, as you can draw the grid on the photo as well and copy one part after another. <u>It is always useful to lightly position the central line of the object, to see where the middle is, and to the position in accordance </u>with it. This also can help you maintain the balance of the object.

You should always measure the elements of the object you are drawing. <u>This means you use a stick or a pencil to measure one part in relation to another – is it bigger, smaller, how many times is one included in another, etc.</u> <u>They should always be measured relating to others to show genuine proportional. </u>This way, the object will have correct realistic measurements, and no part will be shown as different in relation to others. If you put the central line on the object, you can also measure in accordance with it. Be sure to also portion the correct distance from one object to another in the same way.

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3 years ago