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As a more simple answer to your question, Shakespeare shows that young love is an 'all or nothing' proposition. When Romeo is told by the Friar that his punishment will be banishment, and not death, Romeo replies that there is no world for him outside Verona.
There is also a measure of idealism in their love. Juliet and Romeo refuse to bend to the reality of their family situation, believing that love will conquer all.
Answer:
The meaning of life, or the answer to the question: "What is the meaning of life?", pertains to the significance of living or existence in general. ... Scientific contributions focus primarily on describing related empirical facts about the universe, exploring the context and parameters concerning the "how" of life.
Essentially the meaning of live is "Freedom from suffering" Which happened when we pass on. But as we all know the real meaning is
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Answer:
A.dynamics how loud or soft notes are
B.Articulation how individual notes are played
C.Rhythm the main musical phrase usually a melody
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
I think, based on the options provided for the answers that the correct response would be (d). As a focus of producing works with the physical form was not permitted. There are a few schools of thought on the subject... one is that only god can create the physical form so to do so would be as though you are aligning yourself at gods level and his creativity. While another thought is that the figure form is not allowed due the a concern that the art might then promote idolatry which was seen as a contradiction of the oneness of God. So while some patterns express symmetry they are not minimally colored and are quite the opposite. It is thought that the geometric patterns are more representational as a reflection of God’s infinite creations and should allow for spiritual contemplation and growth... which leads me to believe (d) is the correct choice.
