Answer:
Okay the answer is B. Lyrics are most important
Explanation:
I put a different answer and it was wrong but it showed me the right one and so yeah this is legit.
Answer:
a. varying the sizes of the objects to create and illusion of depth
The Dogma of Ethos was a Greek philosophy, idea or belief that stated that certain instruments and modes affect the balance between rational behavior (Logos) and emotional frenzy (Pathos).
Explanation:
During the Greek ages, the Dogma of Ethos was a philosophy or belief that music had an influence on mind, behavior, soul and body of a person. The earliest Greeks did not like certain music pulse and rhythms to be played as they feared it would reveal immoral attitude and bring out bad ethos.
Hence, they had not allowed and tolerated certain music rhythms and beats to be played as their belief had made them believe that it would bring out evil behavior and ethos, strongly influencing the ones who would listened ultimately affecting the balance between rational behavior (Logos) and emotional frenzy (Pathos).
So, The Dogma of Ethos was a Greek philosophy, idea or belief that stated that certain instruments and modes affect the balance between rational behavior (Logos) and emotional frenzy (Pathos).
Learn more about values, ideas and societies about ancient Greeks from brainly.com/question/13108489
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<span>Pablo Ruiz Picasso was born on October 25, 1881, in Málaga, on the southern Spanish coast. He was christened Ruiz after his father, and Picasso after his mother, in the traditional Spanish way. His background was modest; his father, José Ruiz Blasco, supported his family by teaching drawing at the local art school. Picasso was introduced to art by his father, who loved to paint the pigeons that flocked in the plaza outside the family home. Sometimes Picasso's father asked his young son to finish his paintings for him; the precocious boy was more than able to do so. By the time he was 13, his budding talent already overshadowed his father's. He very quickly grasped naturalistic conventions in his drawing; he said later, "I never drew like a child. When I was 12, I drew like Raphael." The imagery of his earliest work was derived from both conventional academic studies–the usual subjects that artists trained themselves on at the time, such as figure studies based on plaster casts–and his fascination with the bullfight, which he shared with his father.</span>
