Answer: A. Russell's sister takes after their mother, but he does not.
In the story, there is no implication of Russell not being obedient. He is so obedient he performs the job he hates everyday because his mother tells him to do so. There is also no sign of Russell's sister wanting to become a writer.
The author mentions that he has learned all of his mother's maxims as well, so that is not a difference between them. The difference is that his sister feels compelled to say them, and means them, because they align with what she thinks. This is because the sister is more similar to their mother than Russell.
One: you didn’t provide a passage therefore how am I suppose to know who Sadie smith is?
Sleeping twin = slumber brother
<span>unrolled rug = flat mat </span>
<span>home of happy cows = glib crib </span>
<span>small snack = little nibble
i hope that i have helped today</span>
Answer:
Should there be a picture or something?
Explanation:
Answer:
C. The room is a former nursery with bars on its windows, emphasizing her treatment as a child/prisoner and thus the eventual break from her identity as a sane adult woman.
Explanation:
The short story<em> </em><em>"The Yellow Wallpaper"</em> by Charlotte Perkins Gilman is a feminist text which shows the constraints that women faced in their lives especially during the 19th Century. This particular text focus on the mental and physical health of women as regarded right by the 'men' or patriarchal society as a whole.
The room that the narrator and her husband had taken 'for the improvement of her health' is more like a cage. It was at the top of the house, a room with torn and dilapidated wallpaper, which was also a former nursery. It had bars and rings and things. She points out that <em>"the windows are barred for little children"</em>, which is significant for it emphasizes her treatment as a child/ prisoner. She had no control over the diagnosing of her 'illness' nor does she have control over the medicines she's to take. Everything is taken care of by her husband John.
Thus, the room that she and her husband took represents her treatment as a child/prisoner and thus the eventual break from her identity as a sane adult woman.
