Answer:
hope this helps
Explanation:
What we see in this story are two extremes of kinship: Monsieur and Madame Valmondé very willingly take in Desiree as a baby who they knew nothing about. There were theories among the townspeople that she was left by a party of traveling Texans, but that did not seem to make a difference for the Valmondés. They took in Desiree as she was, and it was only when Armand took a fancy to her as a grownup that Monsieur Valmondé cautioned Armand to at least consider the background of Desiree. When Desiree realized what Armand thought about their child and about her racial background, she writes a heartfelt and urgent letter to Madame Valmondé. The Madame sends back a brief reply: "My own Desiree: Come home to Valmondé; back to your mother who loves you. Come with your child." It is more than evident that regardless of all that has happened - and from the tone of Valmondé's letter it seems that she knew something like this was going to happen - Valmondé very enthusiastically tells Desiree to come home. Moreover, she tells her to bring the baby as well.
Answer:
Classical decomposition requires the study of the space the art takes place in, the color composition if applicable, the lines and flow of the work, the technique used, and the emotion and intellectual response it evokes. The space in which the art takes place could be the phsyical setting, the division of space in the work itself (common in paintings) and how it interacts with the space (negative vs. positive space.) The color composition is important in how the colors chosen relate to the work (or the lack there of). The lines and flow of the work tend to pertain more to visual works but anyone that has evaluated the artwork in automotive design know full well the importance of lines in the work. The technique is important especially in phsyical artwork such as sculpture and relief painting. This is also crucial in multimedia work and abstract sculpture. The last part, largely subjective, is what the work solicits from the viewer. Art without emotion could be argued ... isn't art. Andy Worhol explored this idea with pop art (cambell soup can anyone?) on what is the nature of art. Art is either everywhere (in your spoon, fork, stapler, etc.) or some rare thing (a painting by Raphel verus the macroni happy face the 4 year old did) and if it is a rare thing then what does the art have to convey? What elevates art from engineering then? This last part is solely the responsibility of the critic rather then the artist. An artist always sees their art as art, but what prompts the view to consider it art and what steps does the work take to make a believer out of the viewer.
Explanation:
did it help ?
In the final ten lines of the poem Il Penseroso, the poet aspires to a revelation of devine knowledge to inspire his great poetry. He will devote himself to solitude, contemplating. Among these lines he speaks about sitting in a "peacful hermitage" where "rightly spell" may refer to attachment to natural madic and an interest i the new search for an accurate scientific language. He wants to know and understand nature.
Picture of the passage?/ Answers
