Answer: The ice caps are already in water.
Explanation:
The ice packs in North Pole and the ice sheet in Antarctica are already in water. When they melt therefore, they are simply being converted from one state to another but the quantity is the same.
In other words, the volume that the ice occupied in the water becomes the volume of liquid added to the water so there is no net change in volume added leading to sea levels staying the same.
The correct answer is Option B) Smaller than mid latitude cyclones.
Generally, hurricanes are smaller than mid latitude cyclones.
<h3>What are hurricanes?</h3>
Hurricanes are tropical cyclones with winds which exceed 74 mi/hr. They blow counter clockwise about their centers in the Northern Hemisphere and the opposite in the Southern Hemisphere. The hurricane season is usually from June through November. This is when water temperatures are usually high. These are larger than thunderstorms and tornadoes but smaller than mid latitude cyclones.
The components of a hurricane are:
- The Eye of the hurricane
- Eye Wall of the hurricane
- Spiral Rain bands of the hurricane
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Answer:
<em>Generally speaking, Geography has a tremendous impact on where and how people live in a country.</em>
Explanation:
In East Asian countries such as Vietnam, Laos, Cambodia, Thailand etc, we can kind all kinds of landscapes including hilly areas and beautiful sea shores.
However the population is mostly centered in areas which are relatively flat and with a water body near by, such as a river.
A warm temperature with plenty of annual rain that supports local agriculture is also proffered by most people. Even in parts of China, most of the population lives along rivers and warm areas.
Continental crust it has the average composition of granite.
Answer is Granite.
It will help you.
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
