Social Studies if your comparing wars and deaths.
Answer:
It is true that Minimus's poem tries to make Napoleon out to be a god.
Explanation:
'Animal Farm' is a novel written by George Orwell.The novel is a fable picturizing the Russian Revolution of 1917.
In Chapter 8, when Napoleon took over the office of 'Leadership', Minimus wrote a poem in his honor. In his poem, he portrayed Napoleon out to be god.
His poem, in second stanza, said
<em>'Thou are the giver of
</em>
<em>All that thy creatures love,
</em>
<em>Full belly twice a day, clean straw to roll upon;
</em>
<em>Every beast great or small
</em>
<em>Sleeps at peace in his stall,
</em>
<em>Thou watchest over all,
</em>
<em>Comrade Napoleon!'</em>
By stating that Napoleon <em>looks over all of his creature</em> and <em>they sleep in peace in his stall</em>, Minimus's poem is picturizing Napoleon to be god. Just like God watches over all His creation, and they sleep in peace in His stall, Minimus picturized Napoleon in the same picture.
Modal helping verbs can be used to indicate a mood or tone of a verb in a sentence.
A modal assisting verb affects the main verb in this sense by expressing necessity or possibility. The modal verbs include can, could, may, and might. Modal verbs, often referred to as modal auxiliaries, are used to express the concepts of capability, likelihood, necessity, permission, and duty. These verbs never change their form.
An auxiliary verb known as a modal verb is used to indicate modalities, which are the states or "modes" in which a thing can exist. Examples of modalities are a possibility, ability, prohibition, and necessity. The modal verbs should, must, will, might, and could are a few typical examples.
Modal verbs are most usually employed in academic writing to denote logical possibility and least frequently used to denote permission. For each of the eight tasks that modal verbs can serve in academic writing, they are enumerated and ranked from strongest to weakest.
Learn more about modal verbs here:
brainly.com/question/28554428
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This portrayal is depicted in the image of the child who, although dead, lifts his fists, as a sign of resistance. Thanks to the oppression, the child is dead in his mother's arms, "with a bullet through his brain". But thanks to the people's undying urge for freedom, he isn't dead after all. He lives in their memories. He lives as a symbol of their desire to break free and their resistance to brutality and tyranny.
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