An overture is an introductory section to an opera or oratorio. It is an orchestral piece at the beginning of an opera, which gives <span>introduction to the </span>musical<span> work.
</span>The first significant use of a full-scale overture, however, was made by Jean-Baptiste Lully<span>, in works such as his opera </span><span>Thésée.</span>
Into Bondage is a powerful depiction of enslaved Africans bound for the Americas. Shackled figures with their heads low walk solemn toward slave ships on the horizon. Yet even in this grave image of oppression, there is hope. In a gesture foreshadowing freedom from slavery, a lone woman at left raises her bound hands, guiding the viewer's eye to the ships. The male figure in the center pauses on the slave block, his face turned toward a beam of light emanating from a lone star in the softly colored sky, possibly suggesting the North Star. The man's strong silhouette breaches the horizon line, communicating strength and optimism. Concentric circles—a motif frequently employed by Aaron Douglas to suggest sound, particularly African and African American song—radiate from a point on the horizon.
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The notes on on the G line
C. they pass light through a diffusing material in the front
