Answer: wish I could I would love to see a drawing tho.
Explanation:
Do you by any chance know anyone named Alex cagle
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
Answer:
central-plan building type
Explanation:
searched it up
Answer:
Love Song by T. S. Eliot
In the opening line, the speaker states, "Let us go then, you and I."
The "you" here refers to the woman that J. Alfred Prufrock desired to have a sexual encounter with. As the narrator, Prufrock was soliciting and trying to convince his lover to go along with him to the red-light district, where they could pin themselves together like butterflies in sexual euphoria. Just like all adolescents, many people are unaware of the proper place of sex in marriage. As a result, many are usually drawn to experience sex in fantasy. It has been proven psychologically and medically that sex is very good and healthy, but only in marriage.
Explanation:
The Love Song of J. Alfred Prufrock is a modernist poem written by T.S. Eliot in 1917. In it, Eliot fully explored and indicated the youthful exuberance felt by adolescents and their moral ambivalence, especially with regard to sex vis.-a-vis their Christian upbringing.
