Salons which is the one portrayed in pietro martini's print of 1785 were go to see by public, painters, and critics. Art and the Salon, he salon displayed paintings floor-to-ceiling and on every obtainable inch of space. The shoving of artwork turns out to be the subject of many other paintings, including pietro antonio martini's salon of 1785. Printed catalogues of the salons are main authorized papers for art historians. Critical descriptions of the exhibitions put out in the newsletter results the commencement of the current occupation of art critic and the french revolution unfastened the display to foreign artistes.
Answer:
Religous purpose.
Explanation:
Egyptians widely believed in afterlife and that when you die, you wouldbring your body and possessions into the afterlife to live happily if you were seen as a good person. Many kings and queens were seen as gods and godesses. So they'd have huge tombs (the pyramids) and would have their body perserved very well (mummies). The egyptians believed in everyone having Ka, which was spiritaul. When the physical body died off, the Ka would live in the afterlife forever. The pyramids (their tombs) could help them reign in the afterlife as Ka.
Answer: B. getting a Constitutional law made to establish free public education in Georgia.
Explanation:
After the American Civil War came the Reconstruction era as the Southern states were reintegrated into the Union.
During this time, the significant military presence of Union soldiers as well as many Northerners moving into the south allowed for Black Americans to be elected to state legislatures.
These black legislators passed laws aimed at helping the Southern economy get back on track and one such example was in the Georgia Constitution of 1868 where free public education was made Constitutional law.
