Answer:
In the final chapter, Jekyll's letter highlights one of the main themes of the novel, the dual nature of man. It is this concept that caused him to pursue his disastrous experiments that led to his downfall. Hyde, the personification of Jekyll's purely evil characteristics, revels in the freedom of an anonymous existence. Although he successfully distills his evil side, Jekyll still remains a combination of good and evil. Thus, when transforming back and forth, his evil side grows stronger and more powerful after years of repression, and is able to take over completely. In this way, Jekyll's experiments are the opposite of what he hoped. Interestingly, as is repeatedly mentioned throughout the novel, Hyde is a small man often called dwarfish, while Jekyll is a man of large stature. Thus, the reader is left to assume that Jekyll's evil side is much weaker and less developed than his good side. However, appearances can be deceiving. In fact, Hyde's strength far out powers Jekyll's.
In his letter, Jekyll clearly states that he felt no guilt about Hyde's actions, as "Henry Jekyll stood at times aghast before the acts of Edward Hyde, but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty." To the reader, this explanation seems ridiculous, because Hyde is in fact part of Jekyll, and a being that Jekyll created. Therefore, clearly Jekyll is responsible for the man's actions.
Explanation:
The right answer is:
The aspect of this passage which most creates suspense in the reader?
A. The use of figurative language
<em>Explanation:</em>
<em>In order for suspense to work in The Tell-Tale Heart by Allan Poe, this story needs figurative language. The vulture eye which terrifies and haunts the narrator builds suspense until it comes to a conclusion. </em>
<em>“It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness, all a dull blue, with a hideous veil over it that chilled the very marrow in my bones...</em>
<em>but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the spot.” </em>
<em>This language is giving little away to tease the reader. Edgar Allan Poe uses figurative language to develop an inventive story that averts a certain outcome with lots of suspense.</em>
<span>George Orwell was hesitant to kill the elephant,
but also felt that he needed to do his duty in a situation where he mustn’t show
any weakness to the townspeople. He had to be cruel and at the same time,
pitiful.</span>