Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure.
Explanation:
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
C is the correct answer. I would give an explanation, but something is going on at my house. And i'm in a competition with a few friends, and I was wondering if u could mark me as the brainliest bc otherwise I will be forced to pay $20... which I don't have. I keep telling them I don't, but they won't listen. I hope they don't find out i'm writing this either...
