Answer:
1) i choose :"self portrait with monkey, 1945"
a- she did not try to hide her natural appearence as you can see perfectily KAHLO did not try to, give the reddish appearence for her cheecks or her unique eyebrows,
b- we can see that in this and other portraits she uses a ribbon as a hair ornament this may mean that even though she painted a very original appearance she also looked after her image
c-the adorable little monkey next to her in the painting can represent her different taste for animals and her respect for them
d-
Miss kahlo wears a very presentable outfit for her time as if she meant that even if her prejudice is that a woman is painting she would like to remain flawless
e-behind her seems a lot of dead trees, and i meaning that i can most think of is how trees look after a human passes by.
thats what mos grabbed my attention.
2)
she certainly shows the clash of differences between these two countries, both culturally and in industries, and as much as her natural land of one she came as if she had become america and being explored because she lives in it
the other picture has something deeper Frida Kahlo was trying to depict the superficiality of American capitalism. This painting is filled with the icons of modern industrial society of United States but implied the society is decaying and the fundamental human values are destructed.
3) realistic! because it really says much about the days that she lived and what she believed that would turn into reality she expresses this in a very an enigmatic way so that we really think about it
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PLEASE TAKE A READ ON IT I DO NOT REALLY SPEAK IN ENGLISH VERY WELL SO PLEASE MAKE CORRECTIONS.
<span>The meter (or foot)
that accounts for the most of "Emily Dickinson," by Wendy Cope is
dactylic meter characterized by an accented syllable followed by two unaccented
syllables ( marked: / ᵕ ᵕ ). She used verse form called double dactyl
as there are two stanzas (each have three lines) written with dactylic dimeter
(line of verse consisted of two dactylic metrical feet). </span>
Post-and-lintel system
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Post-and-lintel system, in building construction, a system in which two upright members, the posts, hold up a third member, the lintel, laid horizontally across their top surfaces. All structural openings have evolved from this system, which is seen in pure form only in colonnades and in framed structures, because the posts of doors, windows, ceilings, and roofs normally form part of the wall.
That's False, I did some research and that isn't the right term.
If you're interested you can look it up for yourself.
