Answer:
a story about yourself.
Explanation:
<u>Autobiography is the narrative of one person’s own life, written from their point of view</u><u>. This is a non-fiction literary genre. While it is most often in a form of a book,</u> it can also be made from personal writings put together, such as letters, diaries, and journals wrote during one's lifetime. However, <u>an autobiography should always have at least part in which the narrator reviews their life from the current standpoint.</u>
The difference between memoir and autobiography is usually that memories reflect more on the situation around the writer, society, politics, and other people, while an autobiography is simply the reflection of the writer on his or her life and work.
Answer:
He significant success in his lifetime. Bosch’s work was a precursor to the Surrealist movement, while El Greco’s work had a profound impact on both Expressionism and Cubism, schools that would not develop until 150 years after the artist’s death. What made Bosch extraordinary is not just his talent, which was impressive, but the fact that he was the first known painter to ever depict imaginary creatures and beings that came entirely from his own imagination.
Explanation:
Answer:
we dont know the answer to this
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
Answer:
This was he fervent period of EUROPEAN CULTURAL, artistic, political and economic rebirth following the middle ages.
Explanation:
