C . It Provides A “Fly On The Wall” Perspective
Answer:
The origins of the Harlem Renaissance lie in the Great Migration of the early 20th century, when hundreds of thousands of black people migrated from the South into dense urban areas that offered relatively more economic opportunities and cultural capital. It was, in the words of editor, journalist, and critic Alain Locke, “a spiritual coming of age” for African American artists and thinkers, who seized upon their “first chances for group expression and self-determination.” Harlem Renaissance poets such as Langston Hughes, Claude McKay, and Georgia Douglas Johnson explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes.
Poetry from the Harlem Renaissance reflected a diversity of forms and subjects. Some poets, such as Claude McKay, used culturally European forms the sonnet was one melded with a radical message of resistance, as in “If We Must Die.” Others, including James Weldon Johnson and Langston Hughes, brought specifically black cultural creations into their work, infusing their poems with the rhythms of ragtime, jazz, and blues.
Hello there!
The answer would be D. You can immediately eliminate both B and C because it does not apply to both stories at once. You can also eliminate A because according to both myths, saintly beings protect the earth, not evil ones. Therefore, the only answer is D.
Compound sentence. It has two main clause.
Answer:
The mood behind this poem is regret we notice how the narrator seems sad using a line like "And sorry I could not travel both," we see that maybe they had to make a hard decision that they regret. The undergrowth could represent the problems that are coming up under the surface and undergrowth describes a thick growing of plants under the trees so think of it as problems in a relationship that grow over time but are hidden by the bigger things happening. -Your friend, Bill Cipher
Explanation:
