The fate that has doomed the young lovers, I believe is the answer
The correct answer is C.
Everyone who has access to the natural world can transcend the material world. Transcendentalists advocated going out into nature and moving away from society. These actions are open and available to everyone, not just poets or politicians.
Post hoc: fallacy in logic that assumes a cause-and-effect relationship because of sequence.
<em>Post hoc </em>is a fallacy since it implies that one event is the consequence of a previous event just because it comes later. Usually, if one event is after another, it does not mean one event is the cause or consequence of another just because they are correlative in time.
Inferences: reasoning from several particular examples to establish a general principle.
<em>Inference </em>means reaching a conclusion based on evidence.
Inductive reasoning: drawing conclusions from implied information.
<em>Inductive reasoning </em>uses data or information given to reach a general conclusion. it goes from specific to general.
Deductive reasoning: drawing a particular conclusion from general premises.
<em>Deductive reasoning</em> approach is based on a general statement or theory in order to reach a logical conclusion.
Answer:
Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection.
Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile.
Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
Explanation:
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