The earliest Chinese bronzes were created using the piece-mold casting method, as opposed to the lost-wax method used by all other Bronze Age cultures.
In piece-mold casting, a model of the object to be cast is created, and a clay mold of the model is created.
The process of pouring molten bronze into a hollow mold to create a positive bronze sculpture or object is known as bronze casting.
Bronze sculptures, instruments, medals, tools, plaques, and other items are made using bronze casting methods such as lost wax, ceramic shell, and sand casting.
Casting is a traditional Chinese casting technique for attaching prefabricated handles and other small accessories to larger bronze objects.
To know more about ancient bronze-casting technique was developed by the Chinese here
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Answer:
During the Soviet era, the Russian Soviet Federated Socialist Republic (the R.S.F.S.R.) was subject to a series of Soviet constitutions (1918, 1924, 1936, 1977), under which it nominally was a sovereign socialist state within (after 1936) a federal structure. Until the late 1980s, however, the government was dominated at all levels by the Communist Party.
Answer:
The Scientific Method and its Significance
Explanation The scientific method is a <em>sequence or a list of certain instructions to help scientists prove their experiment</em>. The scientific method is also a way for scientists/thinkers to prove their idea/theory/hypothesis with factual evidence/data. People could easily claim that their idea is true without any sort of information to back up their claim. The scientific method is a way to prove that someone's hypothesis is true. The Scientific Revolution was a time of great upheaval in discoveries in science. Since there were so many scientific ideas surfacing, people needed a way to test and prove that their theory was true.
Roma had less political control over people in distant provinces
the right answer is the first option. The Malleus Maleficarum was considered one of the most authoritative and compelling sourcebooks for inquisitors, judges, and officers in the incredible black magic abuses from the fifteenth through the eighteenth hundreds of years. It was composed by Heinrich Kramer, driving inquisitors of the Dominican Order; Jacob Sprenger simply joined his name to the sourcebook.
The book brought old stories and theory about black magic and enchantment together with the new view recognizing black magic with fallen angel adore. That recognizable proof transformed black magic into sin (as opposed to an agnostic confidence) and in this way the best possible worry of the Inquisition. That difference in context prompted the savage and persistent oppression that brought about the passings of several people blamed for rehearsing the religion of black magic, instead of just rehearsing noxious enchantment, which had for quite some time been illicit.
