Answer:
is new to the neighborhood
Explanation:
It made what we know now more simpler and broke everything own
The two sentences in this excerpt from Incidents in the Life of a Slave Girl demonstrate how Harriet Ann Jacobs uses a narrative structure and conversational tone to directly appeal to her readers’ sympathy are.
- Pity me, and pardon me, O virtuous reader! You never knew what is to be a slave",
- You never exhausted your ingenuity in avoiding the snares, and eluding the power of a hated tyrant.
<h3>What is an excerpt?</h3>
An excerpt refer to phrases or words which is extracted or deduced from a paragraph or any literature and is very meaningful.
Therefore, The two sentences in this excerpt from Incidents in the Life of a Slave Girl demonstrate how Harriet Ann Jacobs uses a narrative structure and conversational tone to directly appeal to her readers’ sympathy are.
- Pity me, and pardon me, O virtuous reader! You never knew what is to be a slave",
- You never exhausted your ingenuity in avoiding the snares, and eluding the power of a hated tyrant.
Learn more about excerpt below.
brainly.com/question/21400963
#SPJ1
Answer:
Option C
Explanation:
“An Occurrence at Owl Creek Bridge” is an elaborately devised commentary on the fluid nature of time. The story’s structure, which moves from the present to the past to what is revealed to be the imagined present, reflects this fluidity as well as the tension that exists among competing notions of time. The second section interrupts what at first appears to be the continuous flow of the execution taking place in the present moment. Poised on the edge of the bridge, Farquhar closes his eyes, a signal of his slipping into his own version of reality, one that is unburdened by any responsibility to laws of time. As the ticking of his watch slows and more time elapses between the strokes, Farquhar drifts into a timeless realm. When Farquhar imagines himself slipping into the water, Bierce compares him to a “vast pendulum,” immaterial and spinning wildly out of control. Here Farquhar drifts into a transitional space that is neither life nor death but a disembodied consciousness in a world with its own rules.