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Mekhanik [1.2K]
3 years ago
8

(please help ;-;) How did the artist create emphasis in this artwork?

Arts
2 answers:
Inessa [10]3 years ago
8 0

Answer:

The shell is the only object with texture.

The light value of the shell stands out.

The shell is placed slightly off center.

Explanation:

Hope it helps! :)

belka [17]3 years ago
3 0
2 3 and 4 is the answer
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The Koran had a vital role in the development of art and literature during the Mughal period. How does the structure of the Taj
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The Taj complex looks if it would correspond allegorically to a cosmological model of the gardens of Paradise on <u>The </u><u>Day of Resurrection </u>for example, the mausoleum stands like the throne of judgment at the far end of the grounds --(besides following the traditional placement which would have been in the center of a four-part garden)-- the forty-two acres of ground are divided by four canals of water, which represents the four rivers of Paradise that is described in Koran-- red sandstone walls topped off with gazebos, galleries and towers which mark the borders of Paradise. 
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Which of the following has the greatest impact on telecommunications design?
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3 years ago
List three conditions that can produce dryness in food
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Answer:

Low humidity. Low humidity allows moisture to move from the food to the air.

A source of low heat. The warm temperature allows the moisture to evaporate.

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Please list the names of the four writers that have shaped the softie letter in New York City
Anna [14]

Answer:

Writing is a medium of human communication that involves the representation of a language with symbols. Writing systems are not themselves human languages (with the debatable exception of computer languages); they are means of rendering a language into a form that can be reconstructed by other humans separated by time and/or space.[1][2] While not all languages utilize a writing system, those with systems of inscriptions can complement and extend capacities of spoken language by enabling the creation of durable forms of speech that can be transmitted across space (e.g., correspondence) and stored over time (e.g., libraries or other public records).[3] It has also been observed that the activity of writing itself can have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect on and potentially rework.[4] Writing relies on many of the same semantic structures as the speech it represents, such as lexicon and syntax, with the added dependency of a system of symbols to represent that language's phonology and morphology. The result of the activity of writing is called a text, and the interpreter or activator of this text is called a reader.[5]

The Rosetta Stone, with writing in three different scripts, was instrumental in deciphering Ancient Egyptian.

As human societies emerged, collective motivations for the development of writing were driven by pragmatic exigencies like keeping history, maintaining culture, codifying knowledge through curricula and lists of texts deemed to contain foundational knowledge (e.g., The Canon of Medicine) or to be artistically exceptional (e.g., a literary canon), organizing and governing societies through the formation of legal systems, census records, contracts, deeds of ownership, taxation, trade agreements, treaties, and so on.[6] Amateur historians, including H.G. Wells, had speculated since the early 20th century on the likely correspondence between the emergence of systems of writing and the development of city-states into empires.[7] As Charles Bazerman explains, the "marking of signs on stones, clay, paper, and now digital memories—each more portable and rapidly travelling than the previous—provided means for increasingly coordinated and extended action as well as memory across larger groups of people over time and space."[8] For example, around the 4th millennium BC, the complexity of trade and administration in Mesopotamia outgrew human memory, and writing became a more dependable method of recording and presenting transactions in a permanent form.[9] In both ancient Egypt and Mesoamerica, on the other hand, writing may have evolved through calendric and political necessities for recording historical and environmental events. Further innovations included more uniform, predictable, and widely dispersed legal systems, distribution and discussion of accessible versions of sacred texts, and the origins of modern practices of scientific inquiry and knowledge-consolidation, all largely reliant on portable and easily reproducible forms of inscribed language.

Individual, as opposed to collective, motivations for writing include improvised additional capacity for the limitations of human memory (e.g., to-do lists, recipes, reminders, logbooks, maps, the proper sequence for a complicated task or important ritual), dissemination of ideas (as in an essay, monograph, broadside, petition, or manifesto), imaginative narratives and other forms of storytelling, personal or business correspondence, and lifewriting (e.g., a diary or journal)

your welcome

7 0
3 years ago
(ART) can someone write me an artist statement
xxTIMURxx [149]

Andy Yoder, sculptor: “Many people take great comfort in the bathroom towels being the same color as the soap, toilet paper, and tiles. It means there is a connection between them, and an environment of order. Home is a place not only of comfort, but of control. This sense of order, in whatever form it takes, acts as a shield against the unpredictability and lurking chaos of the outside world.

My work is an examination of the different forms this shield takes, and the thinking that lies behind it. I use domestic objects as the common denominators of our personal environment. Altering them is a way of questioning the attitudes, fears and unwritten rules which have formed that environment and our behavior within it.”

Nancy McIntyre, silk screen artist: “I like it when a place has been around long enough that there is a kind of tension between the way it was originally designed to look and the way it looks now, as well as a tension between the way it looks to whoever is caring for it and the way it looks to me. Trouble is, the kinds of places I find most appealing keep getting closed or torn down.

What do I want to say with my art?

Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”

6 0
3 years ago
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