1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
Mekhanik [1.2K]
3 years ago
8

(please help ;-;) How did the artist create emphasis in this artwork?

Arts
2 answers:
Inessa [10]3 years ago
8 0

Answer:

The shell is the only object with texture.

The light value of the shell stands out.

The shell is placed slightly off center.

Explanation:

Hope it helps! :)

belka [17]3 years ago
3 0
2 3 and 4 is the answer
You might be interested in
Pre-Raphaelite paintings were often based on
exis [7]

I believe the correct answer is B. scene from everyday life.

 

The Pre-Raphaelite movement opposed the British Royal Academy, which championed a narrow range of idealized or moral subjects and conventional definitions of beauty drawn from Renaissance and ancient classical art. The artists of this movement were inspired by the centuries preceding the Italian High Renaissance and they depicted nature and the human body realistically. Some of the examples of this movement are: “The Lady of Shalott” by John William Waterhouse and “Ophelia” by John Everett Millais.

8 0
3 years ago
Stovetop pan handles should always face you so that they’re easier to grab
vampirchik [111]

true because if a fire hapeneds you can throw it away

8 0
3 years ago
Read 2 more answers
As an artist, how would you decide which medium you are going to use? Would it depend more on the subject of your art piece or t
noname [10]

Answer:

As an Artist I think it depends on which piece of art it is and how you feel. Personally I like charcoal. On art medium they don't really talk about is oil paintings. They don't like teaching it because it a more complex medium.They mainly focus on acrylic paintings.

Explanation:

6 0
3 years ago
Read 2 more answers
(URGENT!) Please help me with dance!!!
e-lub [12.9K]

Answer:

Setting dance choreography can be a daunting task. Whether you are a new or seasoned choreographer, you may find yourself at a creative block during some part of the process. These are perfect opportunities to be daring and think outside of the box!

Use whatever challenge you are facing to create something new. Choreographing is a work of passion and expression that can be rewarding despite difficulties that may arise.

Often times when people think of dance, they may imagine traditional ballet and jazz dance. In these more traditional forms, the choreography may follow the music exactly and use a structure such as ABA – theme, variation on the theme, and repetition of the theme.

However, if you are choreographing in these genres or another one altogether, breaking this mold can provide satisfying results.

The elements of dance include shape, space, time, and energy. These are important to consider when creating movement for your piece.

Different use of these elements can produce varying results when choreographing. Be conscious and aware of how you use them – they can open up doors and also cause our creative process to come to a standstill. Use them wisely!

Here are some choreographic ideas to get your creative juices flowing:

1. Choreograph in a non-linear fashion.

Instead of starting at the beginning and plowing all the way through, why not start in the middle? Or, begin working with several movement phrases and just see where it takes you.

2. Use improvisation as an impetus for movement, phrases, or overall dances.

You can improvise as the choreographer, or have your dancers improvise for you. Videotaping improvisations can also be very helpful. If you love improvisation or perhaps envision your final work being slightly different each night, you can even integrate improvisation into your piece!

3. Choreograph without music.

If you ever feel stuck choosing music, or you are working with a composer creating an original score, try choreographing without music at first. This will create a dramatically different effect on the relationship between the dance movement and the music. This works particularly well with more ambient, sparse soundscapes.

4. Look at the basic elements of your dance: shape, space, time, and energy.

You can create entire dances based on one element alone, or use these individual elements to create variations on your dance phrases. Step back and brainstorm ideas about each element through writing. Then, explore your ideas through movement.

5. Choose to create a piece outside of the theater, or in a nontraditional space.

You could make a site-specific work in a park, or produce a concert in a black box theater to help break up the frontal monotony of theater dance work. In these nontraditional venues, the audience is often given a new perspective from which to view dance because they are more up close and personal. There is little to no barrier between the dancers and the audience in these settings. The audience may get a 360 degree perspective or simply sit somewhere very close to the dancers.

6. Break your typical movement mold.

If you tend to move a certain way and create dances that all contain similar movement qualities, challenge yourself to create a movement study in ways that oppose your natural habits. You can create an entire piece off of this idea; or, use it as a way to contrast your movement in other choreographic works.

7. Incorporate post-modern dance techniques.

Test your limit of what dance can be. The post-modern dancers of the 1960’s used pedestrian movements such as walking and everyday gestures to make entire pieces. They also incorporated spoken word, video projection, and more.

8. Make your work multi-disciplinary.

If you ever feel stumped for ideas, consider how you can use other art forms or something seemingly completely unrelated to dance to create a new dance work. For example, you could incorporate live music or live painting into the dance. Another idea would be to work with a scientist or anthropologist closely on a topic that interests you to base movement from.

9. Mesh genres.

Have you ever thought about making a hip-hop Nutcracker? You could use modern dance techniques in a musical theater piece, or ballet in a tap number. The possibilities are endless.

10. Use chance methods.

Choreographer Merce Cunningham pioneered this method. There are multiple ways to use chance methods when choreographing. You could roll dice or use the I Ching as he did. Another idea would be to pull ideas, numbers,

4 0
2 years ago
PLEASE HELP ASAP!! ILL MARK YOU BRAINLEST!! okay so just look at the photo and is it a primary or secondary source? HELP ASAP!!
andreev551 [17]

Answer:

Secondary source.

Explanation:

The image is not the direct product of a historical event; it was created afterwards using an analysis of primary sources.

4 0
2 years ago
Other questions:
  • Evaluate 10m +\dfrac n410m+​4​​n​​ 10, m, plus, start fraction, n, divided by, 4, end fraction when m=5m=5m, equals, 5 and n=16n
    7·1 answer
  • Like the image above, the ___________ often commissioned works of art, claiming to be in the name of religion.
    6·2 answers
  • What is the purpose of the noun in the sentence. ASTRA smiled and read thoughtfully
    5·1 answer
  • What african method of demonstrating status can be seen in the image above?
    14·2 answers
  • It is used in everyday life and buried with the owner.
    11·1 answer
  • Can some one write one paragraph about this image. At least 5 sentences
    10·1 answer
  • Musical Theature
    11·1 answer
  • What is the count on the LAST 8th note in the measure ?? I will mark brainlest
    15·1 answer
  • Which film from 1977 is said to have resurrected interest in the full symphonic film score once again at a time when that type o
    14·1 answer
  • the review in theatre journal describes some of the major differences between hamilton on tour and the production of hamilton on
    14·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!