<span>John Singleton Copley (1738-1815) was the acclaimed artist of colonial America who used the Portrait d’apparat; a rococo way of using objects used by his subject in their daily life in the portraits. This gave more liveliness and vision to his portraits which was new to American painting in that time.<span>
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from what i can see its cross-hatching possibly stippling tho :/
Normally the Medieval and Renaissance periods were focused on the Voice, and the Lute family; such as the Mandolin. And thus are less (unfortunately) performed or heard due to the lack of specification of which instruments play where.
Baroque however in its earliest periods tended to have focused on specifying which instruments played where and when instead of the former of if an instrument can play within a certain octave then it can play that part.
Also Baroque music has more of the, what most would consider "Iconic" composers of the late Classical Music Era's. Such Frederic Handel, or Johann Bach, and even the Johann Pachelbel.
Not that the Medieval nor Renaissance periods had any highly recognized composers, its just what is taught more in educational environments as well.
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"Episodes (if applicable) and entries are usually alternated until the "final entry" of the subject, by which point the music has returned to the opening key, or tonic, which is often followed by closing material, the coda. In this sense, a fugue is a style of composition, rather than a fixed structure."
If this helps
A dominant chord is a major triad built on the fifth scale degree of either a major scale or a minor scale. Major triads consist of a root note, a major third, and a perfect fifth. ... A simple D major triad contains the notes D, F♯, and A. This chord becomes a dominant seventh chord (V7) by adding the note C.
