Black and white abolitionists often had different agendas by the 1840s, and certainly in the 1850s. But one of the greatest frustrations that many black abolitionists faced was the racism they sometimes experienced from their fellow white abolitionists. In many cases, within the Garrisonian movement in particular, the role of the black speaker or the black writer or the black abolitionist was, in some ways, prescribed, as the famous case of Frederick Douglass' relationship with the Garrisionians.
<span>The Garrisionians wanted Douglass to simply get up and tell his story, to tell his narrative on the platform.</span>
They were the Germans Americans and the Social Radicals
The ornate vegetal forms and two-dimensional figural representations in Jahangir Preferring Sufi Shaikh to Kings are associated with Persian influence
Answer: Option C
<u>Explanation:</u>
The painting Jahangir Preferring Sufi Sheikh to Kings depicts Jahangir's opinion of the fact that Sufi is above the kings. The painting basically depicts the beginning of a new millennium and the emperor blessing the new millennium.
The Persian influence can be seen in this painting because the painting is feature rich and portrays a complex scene that can attract the attention of the viewers for hours. Persian paintings are supposed to be two-dimensional as is shown in the figurines in the paintings. The ornate vegetable forms are also important aspect of the Persian paintings.
I can safely say that the meatballs they used for their slingshots Where definitely spicy.
in which time through out the years different threats accord