Lady Macbeth is a malicious and manipulative mastermind. To begin, she
conceives the entire plan and hashes out the details before Macbeth even
truly considers taking action to make the prophecies come true. She is
the one who urges Macbeth to frame the guards by getting them
intoxicated and actually prepares the murder scene for Macbeth to take
Duncan's life. In the end, she is the only reason that the plan works
because she forces...
Answer:
The election now depends largely on perceptions and how many voters see the federal response as “too little, too late” or “maybe enough but way too late.”
Explanation:
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2. I had worn blue shoes.
3. The table had been cleaned by Joe.
4. The key had been lost by us.
5. A fight had been started by them.
7. The window had not been closed by me.
8. The paper had not been bought by them.
9. I had not been noticed by her.
10. Had the problem been solved by her?
Answer:
1
Explanation:
its not the boy' it is the boy scout troop.
Hope this helps plz hit the crown :D
In the figures of the civil watch and the Prince, the brawl introduces the audience to a different aspect of the social world of Verona that exists beyond the Montagues and Capulets. This social world stands in constant contrast to the passions inherent in the Capulets and Montagues. The give-and-take between the demands of the social world and individuals’ private passions is another powerful theme in the play. For example, look at how the servants try to attain their desire while remaining on the right side of the law. Note how careful Samson is to ask, “Is the law on our side, if I say ‘Ay,’” before insulting the Montagues (1.1.42). After the Prince institutes the death penalty for any who disturb the peace again, the stakes for letting private passions overwhelm public sobriety are raised to a new level.
Finally, this first scene also introduces us to Romeo the lover. But that introduction comes with a bit of a shock. In a play called Romeo and Juliet we would expect the forlorn Romeo to be lovesick over Juliet. But instead he is in love with Rosaline. Who is Rosaline? The question lingers through the play. She never appears onstage, but many of Romeo’s friends, unaware that he has fallen in love with and married Juliet, believe he is in love with Rosaline for the entirety of the play. And Friar Lawrence, for one, expresses shock that Romeo’s affections could shift so quickly from Rosaline to Juliet. In this way, Rosaline haunts Romeo and Juliet. One can argue that Rosaline exists in the play only to demonstrate Romeo’s passionate nature, his love of love. For example, in the clichés he spouts about his love for Rosaline: “Feather of lead, bright smoke, cold fire, sick health” (1.1.173). It seems that Romeo’s love for chaste Rosaline stems almost entirely from the reading of bad love poetry. Romeo’s love for Rosaline, then, seems an immature love, more a statement that he is ready to be in love than actual love. An alternative argument holds that Romeo’s love for Rosaline shows him to be desirous of love with anyone who is beautiful and willing to share his feelings, thereby sullying our understanding of Romeo’s love with Juliet. Over the course of the play, the purity and power of Romeo’s love for Juliet seems to outweigh any concerns about the origin of that love, and therefore any concerns about Rosaline, but the question of Rosaline’s role in the play does offer an important point for consideration.
