In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
<span>Jackie Robinson is the greatest athlete America has ever known. An athlete has to be talented if he or she wants to be a legend, and Robinson won many awards for his talent. Not only did he break the color barrier in baseball, he was also an incredible diplomat, speaker, and advocate for civil rights.</span>
Answer:
The answer is option B " In the future Americans must return to their agrarian roots"
Explanation:
The American Dream is the fantasy of an entire country. It portrays the massive potential outcomes that are related with the USA, from the early pilgrims to introduce day settlers: the larger part had faith in a superior life, without bias and with better opportunities to get by. In spite of the fact that the term was instituted a lot later, the American Dream itself has been there since the principal pioneers set foot on American soil. The conviction, anybody can create to their fullest potential and arrive at aspiring objectives, up to one buckles down enough for it. Strangely, the Fantasy has numerous appearances, and what it portrays relies altogether upon one's character - for some it is social or monetary achievement, for other people, it may very well be living joyfully in a little house with their family, or having barely enough to appreciate a substance life.
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