This question refers to the book <em>The Great Gatsby</em>.
Nick is one of the main characters in this story, and he is also the narrator. We learn that Nick moved east from the Midwest in order to try his luck in New York. He wanted to become involved in the financial boom that was taking place during the 1920s.
Nick is initially impressed by the life of luxury and glamour that he witnesses in the city. This is particularly true in the case of his relative Daisy, and her acquaintances. However, as he becomes more involved with this society, he begins to see that people are actually quite superficial and false, and that their hedonism prevents them from forming any meaningful connection to anything and anyone. He is proven right many times in the story, such as when we learn about the superficiality of Daisy's attachment to Gatsby or the lack of concern that she shows for her daughter.
Answer:
Have you ever had to choose between a book and a computer? Its tough right? Everyone has to make hard choices in life. In a computer its much easier and if your doing a test, you can search up answers, while as in a book you have to flip pages and look back all the way into the book for answers. Today i will be comparing these two choices.
Explanation:
This is only the intro paragraph. tell me if you want more.
Depending on what kind of sentence it is .
Answer:
While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
Explanation:
Answer:
A. The sentence gives an opinion.
