In the 19th century, Realism in France is often mistaken as literary movement because they felt that it laid too much truth specially on external reality. Meanwhile, America needed a type of literature that would explain what was happening to their society. American writers then turned to what is termed as modernism. The influence of realism and naturalismin the 19th century and their truthful illustration of American life and people was shown in post World War I modernism.
<span>Aminadab is a total oddball character. There isn't a whole lot of text devoted to him in "The Birthmark," but what is there speaks volumes. Hawthorne describes Aminadab as "a man of low stature, but bulky frame, with shaggy hair hanging about his visage, which was grimed with the vapors of the furnace" . He is actually a little creepy, if not vaguely sinister. We learn that he isn't capable of understanding the science behind Aylmer's work, but that he can execute all the physical details easily. And then, of course, we have the very direct line.</span>
This question is about "Sorry, wrong number"
Answer:
The part of the text that makes it clear that you called Mrs. Stevenson is planning a crime is written in the line "she is hearing something she obviously was not intended to hear". That sentence is also capable of creating suspense about what Mrs. Stevenson is going to do with that information and whether the crime is really going to happen. This attracts the reader.
Explanation:
Mrs. Stevenson overhears a call that is reporting a murder plan. When she hears this, she realizes that she is in the middle of planning a crime and needs to do something about it, but even if she wants to tell someone, no one answers when she calls and when they do, she doesn't believe her narrative and they don't do anything about it. .
This creates a strong suspense tone and a claustrophobic feeling as the reader is apprehensive about what can happen and how it will happen.
