Answer:
head
Explanation:
hope it's helpful i could be wrong....
Answer:So what do you need to do before zombies…or hurricanes or pandemics for example, actually happen? First of all, you should have an emergency kit in your house. This includes things like water, food, and other supplies to get you through the first couple of days before you can locate a zombie-free refugee camp (or in the event of a natural disaster, it will buy you some time until you are able to make your way to an evacuation shelter or utility lines are restored). Below are a few items you should include in your kit
Explanation:
Answer:
I'm going to choose 3 superpowers.
Explanation:
1st:
<em>Invisibility</em>
Who wanted want to literally disappear? I can literally sneak into any area I freely wish for. I can scare anyone I want. Pranking to the extreme.
2nd:
<em>Ability to bend time</em>
I would control time but not where it tears rip into space. It doesn't affect your future.
3rd:
<em>Teleportation</em>
Two words. Time saved. I can literally be on any spot I want.
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Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
