Answer:
Dear Frankie,
I know how anxiety-inducing things can get. Especially with trying new things. I've heard about how stressed you've been about the bands performance, but I don't think you should be as worried as you are. Once, when I was thirteen I grabbed my guitar and played in-front of a crowd of 20 to 30 people at the local coffee shop. They were hosting an open-mic, and I saw my chance. I didn't know how I got the courage, but I just went up there and played two songs. People clapped, even though I was shaking like a leaf. I finished my short performance, and left. Looking back, that was a great experience! I was able to get my name out there, and there was another notch in my belt. I'd do it again in a heartbeat, just because of the feeling afterwards. About the band, you shouldn't have to feel nervous. I know you'll do great, because you've been practicing all day and all night. It's going to be okay, and even if it's not, it's not the end of the world. The other members and I are all supporting you, and we'll always help you through anything. Just remember that.
Sincerely, me.
Explanation:
Ani analyses how "DeLuca's haphazard patchwork of reasoning and evidence leaves the reader wondering whether he believes his own claim". According to Ani he quotes not only supporters of the Nobel price committee but also detractors. He includes a sampling of Dylan's lyrics and leaves them to speak for themselves.
The evidence (quotes) from the article that best supports Ani's evaluation are:
1. "And it’s a good thing [his lyrics] have been published, because if you’ve gone to see the famously sneering and syllable-garbling Dylan play live in recent years, you probably couldn’t understand a word he was singing."
We could interpret this quote as contradictory, it is not necessarily for or against Dylan's Nobel Price. You could say he is confusing his readers, he seems to be against the sung lyrics and for the published ones.
2. "On one end of Dylan's songwriting spectrum is the vengeful, resolute, and timeless 'Masters Of War' . . . . It’s high dudgeon at its finest: ‘Let me ask you one question: Is your money that good? / Will it buy you forgiveness? Do you think that it could?"
Ani also says that he does a sampling of the lyrics and allows them to speak for themselves. This excerpt shows part of a lyric from the song "Masters of War". He is not necessarily saying its a "good" or "bad" lyric, he describes it as: "vengeful, resolute, and timeless" the reader must decide about its quality or if it is the kind of work that deserves a Nobel Price.
Answer:
Discuss why unequal access to basic services amount to social injustices. At least, FOUR points may be used for this discussion (8)
Explanation:
Discuss why unequal access to basic services amount to social injustices. At least, FOUR points may be used for this discussion (8)
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