We need the stroy to answer this question also.
Answer: I would contend that the right answer is the B) It recalls the sculptured fronts of late antique sarcophagi.
Explanation: Just to elaborate a little on the answer, it can be added that resorting to examples from antique sarcophagi seems to be very logical, due to the rectangular shape of the frieze at St. Trophîme and to the fact that it is set against the wall of the building and that it features a series of figures placed next to each other, almost as in a procession. Most Roman sarcophagi had the shape of a rectangular box and they were only decorated on the front and the two short sides. In addition, late antique sarcophagi started to feature Christian iconography, so the artists working at St. Trophîme surely found them useful as models.
The Negro Artist and the Racial Mountain” In (1926) was a short essay written by poet Langston Hughes for The Nation magazine. It became the manifesto of the Harlem Renaissance. In it Hughes said that black artists in America should stop copying whites, that they will never create anything great that way. Instead they should be proud of who they are, proud to be black, and draw from black culture. Not “white is right” but, as we would now say, “Black is beautiful”.
The phrase in the capital words is A. an adjective phrase.
What kind of city? The city of Arizona.
Adjectives are used to describe the nouns.
