Answer:
No, not really...
Explanation:
These types of pots can be used to plant plants, and we water plants. They are made to be water resistant. They are already orange and it might leave a little tint when it dries but not successfully.
Exposure to and experience with the arts allows children to create, design, generate, and compose new ideas, further developing the creative thinking inherent in young children. If navigated intentionally, learning about color can help children develop vocabulary, complex thinking, and keen observation.
He was working hard one day until a metal bean fell on his head
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
<span>1. </span>I believe the correct answer is:
The 1401 competition was created for a rising artist to
commission the bronze work – to create the bronze doors of the Florence
Baptistery. This competition was formed in testing the level of skill in
executing the trial practice of the biblical story of Abraham’s sacrifice of
Issac. Among artist the most prominent were Ghiberti whose artwork was powerful
and dramatic with raw intensity, detailed, and Brunelleschi whose artwork was
suave and graceful and refined.
<span>2. </span>I believe the correct answer is: Ghiberti’s
career was successful and he was commissioned again, and Brunelleschi found new
path in architecture.
Ghiberti was
successful in the 1401 competition and his bronze door artwork led him to be
commissioned again for the same style of work. On the other hand, Brunelleschi
was led to a different career path working in architecture.
