Hi. Did you forget to say that this question is about the article "A 92-Year-Old Piano Teacher Won’t Let Students Miss Bach in the Pandemic"
Answer:
- She leaves her camera off.
- She does this so that her students do not see her expressions while she hears them play.
- This action shows that she is very concerned with demotivating students and making them nervous.
Explanation:
The article talks about Mrs. Vertenstein, a piano teacher, who had to stop receiving her students because of the coronavirus pandemic.
Mrs. Vertenstein did not like to interrupt classes, and did not like even more having to cancel the concert she was organizing for her students, so she decided to do it all online through livestreams apps.
At the time of the online concert, she turns off her camera, although she can hear and see all the students, she does it so that the students do not see her expression, while they play and are worried and sad to think that she may not be enjoying it of their performances. This shows that Mrs. Vertenstein is very concerned with demotivating her students, so she prefers that they just listen to her and don't see her.
Answer:
7x-2
Explanation: brainlist please :)
Option A. True
A particular society has its own beliefs, ways of life, art and many to mention. We also behave differently from one another and work in different fields because we have different expertise.
So, in every culture has some form of religion because in a particular place there lives different races and have different beliefs. The set of values or social practices varies differently, some of it was just accustom already , while others are just newly found and hold on to it.
Answer:
A motif expands on a story's main idea or topic. The chest is crucial to "The Brown Chest." From childhood to adulthood and old age, the narrator's thoughts on the old chest shift. The antique chest represents death and decay to the narrator as a child. He doesn't want to inspect the chest and its contents. The chest went down and down, into the past, and he despised the sense of that well of time, with its wonderful deep smell of things unstirring, waiting, and becoming moldy unless touched. As an adult, he becomes interested in the chest's family history. The chest's contents help him grasp his family's past. He and his younger son rummaged through blankets, plush albums, lace tablecloths, and linen napkins; they discovered a long cardboard box labeled "Wedding Dress 1925" and, beneath it, rumpled silk dresses that a small girl might have worn when the century was young; patent-leather baby shoes; a gold-plated horseshoe; and faithful weather notations kept by his grandfather's father. A little box labeled "Haircut July 1919" contained coils of silky auburn hair. As the narrator's son prepares to marry and start a family, he considers the relevance of preserving these treasures for future generations. Delicately but courageously, she removed the lid, and out swooped the sweetish deep cedary smell, undiminished, cedar, camphor, paper, and cloth, the smell of family, family without end.
Explanation:
This is my point-of-view, and you are welcome to alter it to your take on it.