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daser333 [38]
4 years ago
9

The chapter titles in Kingsolver's book are made significant mainly through the author's use of

English
1 answer:
ratelena [41]4 years ago
5 0
<span>B. figurative language.
</span>
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Two of the strongest symbols referenced in Sir Gawain and the Green Knight are the pentagle and the green girdle. Pick one and d
velikii [3]
A significant figure in the Arthurian mythos, Sir Gawain was famed amongst the Knights of the Round Table as a quick-tempered and lusty warrior whose martial prowess was only equalled by his sexual one. In the medieval poem Sir Gawain and the Green Knight, however, this reputation is given a thorough test.

This particular piece of poetry only has one extant manuscript, housed in the British Library and illustrated with scenes from the tale. It is a key part of the medieval development of Arthurian literature, as it details the background to the courtly existence at Camelot, and as such extends the range of the legend instead of merely rehashing a previous tale. It was written by an anonymous poet in a style peculiar to the Middle English of a Northern tradition, as it has been crafted with much emphasis on alliteration1. It is written in 'fits', and each verse has a 'bob-and-wheel' structure. This means that each stanza ends with one short line (the 'bob') and four slightly longer ones (the 'wheel'). <span>
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3 0
3 years ago
A paragraph for Manderley from the story Rebecca for chapter one
Kamila [148]

Answer:

Rebecca begins with the sentence, "Last night I dreamt I went to Manderley again." The heroine, dreaming, sees herself as a ghost, flitting through the charred ruins of the once-beautiful mansion Manderley, where she once lived. When she awakes, she resolves not to speak of the dream, for "Manderley was ours no longer. Manderley was no more." The only person to whom she could speak of it, we realize shortly, is her husband, whose name we have not yet learned. Together, the couple is traveling through Europe, staying in small hotels to avoid meeting people they both know. They have recently been through a period of great suffering, connected to the destruction of Manderley, but the heroine does not reveal the nature of their predicament. Pieces of a vanished life float vaguely about: the heroine misses her dog, Jasper, and remembers how meals were prepared at Manderley, and then she thinks of a Mrs. Danvers, and a man called Favell, and wonders where they are now. Mrs. Danvers, we learn, was always comparing the heroine to someone named Rebecca, but details are not forthcoming. Instead, the heroine's thoughts turn to her younger self, years before, and then the real story begins, told in a flashback.

As a young woman, the heroine (whose given name we never learn) travels across Europe as a companion to Mrs. Van Hopper, a wealthy American lady. (It was a common custom in the 19th and early 20th century for wealthy, unmarried older women to pay young girls to travel with them, as both a servant and a friend with whom to converse. During their travels, the two women come to Monte Carlo, a resort city in the south of France. Mrs. Van Hopper, a nosy, gossipy, vulgar woman, recognizes a handsome middle-aged man who is staying in their hotel, and points him out to the heroine. He is Maxim de Winter, the owner of the famous estate known as Manderley, and he is reportedly in mourning for his wife, who died the previous year. Mrs. Van Hopper invites him to tea, but shows her most vulgar and crude side, to the great embarrassment of the heroine. Maxim treats her coldly, but later that day he sends a note to the heroine, apologizing for his rudeness at tea.

The following day, Mrs. Van Hopper is ill, and so the heroine has the day to herself. At lunch she runs into Maxim, who insists on eating with her, and then invites her to drive with him along the beautiful coastline. He shows warm and courteous demeanor--except at one place on the road, a place with a particularly striking view, where a bad memory seems to trouble him. At the end of the drive, the heroine notices a book of poetry in the car, and he insists upon giving it to her. She reads it that night, and notices that it is inscribed, "Max--from Rebecca." Then she recalls what Mrs. Van Hopper said about Maxim's dead wife: her name was Rebecca, and she drowned, accidentally, in a bay near Manderley.

4 0
3 years ago
Read the following excerpt from “I’m Nobody! Who Are You?” by Emily Dickinson. Which two lines are written in iambic trimeter?
Anna [14]

Answer:

<em>How public—like a Frog— </em>

<em>To an admiring Bog! </em>

Explanation:

This poem alternaates between lines in iambic tetrameter and iambic trimeter, there is one exception in the first line, but knowing that, it becomes just a matter of identifing iambic trimeter lines compared to iambic tetrameter .

How - PUB / lic, - LIKE / a - FROG

To - AN / ad - MI /ring - BOG!

7 0
3 years ago
►
kvasek [131]

Answer:

1. use    2. taste    3. health

Explanation:

because yes

8 0
3 years ago
Does the heroic code expressed in beowulf conflict with a christian sensibility?
oksano4ka [1.4K]
<span>That is a difficult one because Christian believes and Beowulf is a matter of interpretation. What one may view as sensibility is actually just a matter of common sense. However, every aspect of life is covered in the Bible and thus to suggest (if this is what you are suggesting) Beowulf is explained taking Christian values into consideration? No. Things were different at that time and thus the perceived sensibility to Christian belief</span>
8 0
4 years ago
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