Answer:
I can't see it clearly can u pls type and ask me and I will try to answer it
I am positive the answer is B let me know if i am wrong and ill correct it
Summary
In the same riverbed where the story began, it is a beautiful, serene late afternoon. A heron stands in a shaded green pool, eating water snakes that glide between its legs. Lennie comes stealing through the undergrowth and kneels by the water to drink. He is proud of himself for remembering to come here to wait for George but soon has two unpleasant visions. His Aunt Clara appears “from out of Lennie’s head” and berates him, speaking in Lennie’s own voice, for not listening to George, for getting himself into trouble, and for causing so many problems for his only friend. Then a gigantic rabbit appears to him, also speaking in Lennie’s own voice, and tells him that George will probably beat him and abandon him. Just then, George appears. He is uncommonly quiet and listless. He does not berate Lennie. Even when Lennie himself insists on it, George’s tirade is unconvincing and scripted. He repeats his usual words of reproach without emotion. Lennie makes his usual offer to go away and live in a cave, and George tells him to stay, making Lennie feel comforted and hopeful. Lennie asks him to tell the story of their farm, and George begins, talking about how most men drift along, without any companions, but he and Lennie have one another. The noises of men in the woods come closer, and George tells Lennie to take off his hat and look across the river while he describes their farm. He tells Lennie about the rabbits and promises that nobody will ever be mean to him again. “Le’s do it now,” Lennie says. “Le’s get that place now.” George agrees. He raises Carlson’s gun, which he has removed from his jacket, and shoots Lennie in the back of the head. As Lennie falls to the ground and becomes still, George tosses the gun away and sits down on the riverbank.
Sylvia runs home with dollar signs in her eyes but realizes that she physically can't "tell the heron's secret and give its life away" (2.13). It's never explicitly stated why she does this, but we'd peg her obvious love of nature as Exhibit A and her intense experience atop the oak tree as Exhibit B (for more on this tree experience, check out the "Symbolism, Imagery, Allegory" section—there's more there than meets the eye).
Although Sylvia remains in the forest, she never forgets the hunter, nor is she ever quite sure that she's made the right choice. Although Sylvia is a proto-hippie country gal at heart, she knows that the hunter represented a very different path her life could've taken, and as the story ends, she still wonders where it might have taken her. It doesn't exactly reek of regret, but seems more like a sort of forlorn daydream about what might have been. But hey—we all do that sometimes.
