Sentences? How about this:
Hitting the tree put a dent in my car.
I found a stash of candy hidden under my brother's pillowcase.
Or if you need them both in one sentence:
I tried to get to the stash of food behind the metal door, but I could barely make a dent.
Is that what you needed?
its basically the fact that they achieves a talent to red write and teach yourself who you are as magi did.
Answer:
“A Red, Red Rose,” also titled in some anthologies according to its first line, “O, my luve is like a red, red rose,” was written in 1794 and printed in 1796. The song may be enjoyed as a simple, unaffected effusion of sentiment, or it may be understood on a more complex level as a lover’s promises that are full of contradictions, ironies, and paradoxes. The reader should keep in mind the fact that Burns constructed the poem, stanza by stanza, by “deconstructing” old songs and ballads to use parts that he could revise and improve. For example, Burns’s first stanza may be compared with his source, “The Wanton Wife of Castle Gate”: “Her cheeks are like the roses/ That blossom fresh in June;/ O, she’s like a new-strung instrument/ That’s newly put in tune.” Clearly, Burns’s version is more delicate, while at the same time audaciously calculated. By emphasizing the absolute redness of the rose—the “red, red rose”—the poet demonstrates his seeming artlessness as a sign of sincerity. What other poet could rhyme “June” and “tune” without appearing hackneyed? With Burns, the very simplicity of the language works toward an effect of absolute purity.
Explanation:
no explanation :)
If the question is about the words "scuttled off" then the accurate answer would be imagery, more specifically, kinesthetic imagery, that is to say, imagery related to the vivid significance of the movement of the crab that implies both a physical gesture that reveals an emotional movement associated to that gesture. In literature, this is called "from motion to emotion". In this particular case, the movement of scuttling off implies that the patience of the crab is about to meet its limits and because the crab does no longer want to be subjected to an uncomfortable situation it translates its emotion into the motion of leaving. Furthermore, the following use of direct speech right after this motion completes the cycle of emotion to motion and then back to emotion.
