<span>This is an analogy that you need to complete in order to see what the final word should be. So, exciting is an adjective that describes the noun thrill. So, in order to finish the analogy, you need a noun that the adjective difficult refers to. That noun could be ordeal, hardship, trouble, torment, torture, etc. You need a word that means "something difficult," so any of those words could be the correct answer.</span>
Subjective: based on or influenced by personal experiences, beliefs, thoughts
I just copied and pasted this to see if anyone else had an answer, one person said B and that got 5 stars and a few thanks, so I'd go with B. Also, B seems objective because it is influenced by the person's feeling of the character.
isnt it
Answer:
C. “But the fact is I was napping, and so gently you came rapping, / And so faintly you came tapping, tapping at my chamber door,”
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C. The rhyme gives the poem an even rhythm and maintains the tension.
Explanation:
1. None of the other options give as much tension as these lines do. The anticipation and reptition of the lines intensify the action of approaching a chamber door.
2. I feel as though the other options don't quite work as well as this one. A rhyme doesnt necessarily make a poem easier to remember, lines that are more 'significant' is just subjective, and each rhyme doesnt necessarily end an idea.
Answer:
“The color is repellant, almost revolting; a smouldering, unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others.” The descriptions of color here are visual imagery. “Faded,” “dull,” and “lurid” are all adjectives we associate with color. Meanwhile, “smouldering,” “unclean,” and “sickly” are unusual descriptors, since they’re typically associated with people, not colors. By using a combination of commonplace and unusual language to describe color, Perkins Gilman both invites us to imagine the actual color of the wallpaper and imbues it with emotional weight, transforming this room into a symbol of the character’s emotional frustration and oppression.
