I’m pretty sure they’re roses
Answer: Kotekan
Explanation: This is a style of playing characteristic of Balinese gamelan music, used for playing at high speed, which is possible because the notes are split between two instruments, i.e between two musicians. In this way, parts of the music that are locked together (interlocked), in the aforementioned manner are quickly played, separating the notes. The two separate parts played on the two instruments are thus combined to form a single musical line that is heard as a whole, that is, as an inseparable part, though it consists of two parts. Given that the notes have been previously split into two instruments, then the way of playing is locked again in its entirety, fast playing is possible. One note core, that is, a separable note, can be divided into two, four, and even eight notes, which are merged again into a single note core by combining the playing of multiple instruments in the aforementioned interlocking method.
Several forms of visual art flourished during the Muromachi period, but<u> ink painting</u> reigned supreme.
Japanese adoption of the Chinese ink monochrome tradition, known in Japanese as suiboku-ga or sumi-e. It was one of the most important innovations in Japanese painting during the Muromachi era. Zen Buddhism served as the main source of information about this painting tradition, which was first thought of as an activity that may result in enlightenment through either viewing or the act of applying paint to paper. It was practised in temple ateliers by both novice and expert monk painters.
The Muromachi period is a period of Japanese history which continued from approximately 1336 to 1573.
To learn more about Chinese ink refer
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