Answer:“What are you reading, anyway?” she asks, walking ahead into the school. “I found a book in the library about magnolia trees, just like the ones back home in—” “It's time to focus on school now, Langston, and not trees.
Answer:
B
Explanation:
The media is often biased, only representing their view of the story (Look at CNN vs Fox News for example, same story, completely different interpretation and telling of it)
Answer:
Uncle Carlos believes that the policeman did not kill Khalil for racism, but because he was a drug dealer. Mav, on the other hand, believes that Khalil was a victim of racism, since he was not armed, carrying drugs or weapons at the time he was murdered.
Explanation:
Khalil. a black boy, was killed in a police approach while picking up a hairbrush in his car. The policeman hit Khalil with several shots, and Khalil posed no threat.
Uncle Carlos, a black policeman, does not believe that the policeman was acting out of racism, since Khalil disobeyed him and was a boy who, in fact, was involved in the drug tafico. However, Mav knows that Khalil was not on drugs or weapons at the time and that he suffered abuse of police authority, as well as racism.
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.
