A subject complement is either a adjective, a noun, or a pronoun that follows a linking verb.
When we read books, the stories in them transport us from the world we are in to the world within the pages of the book. To be transported by a book requires the reader to have an emotional response to the book, to visualise the story and eventually, become immersed in it. As a reader, I consider myself lucky to have read several books that have made me lose awareness of my existing surroundings and drawn me into the story unravelling in the book.
“There’s always room for a story that can transport people to another place.” – J.K. Rowling
When I think of being transported by a book, a recent incident comes to my mind. On a winter morning, I had boarded a train to Furkating, a small town in Assam. It was a bleak morning and the sun was a pale yellow, melting into a silver sky. In a compartment colder than December, I sat tucked in my winter clothes amidst rows of filled seats. As the train started with a jolt, I brought out a book from my overstuffed handbag and started reading the first chapter.
Soon, I was deeply engrossed in the story and before I knew it half an hour had passed… The train was starting to slow down as we had reached a station; on a cemented slab in yellow, the letters read ‘Panbari’. Some of the seats in front of me that were previously filled now lay empty. Two of the solo passengers who sat ahead of me had struck up a conversation about the weather in Dimapur – probably the place they were heading to. The winter sun was now splattered across the sky and shining over thatched-roof villages that we were fast leaving behind as the train gained momentum.
Mary Balogh describes it perfectly, “Have you ever wanted to travel back in time? I know I have. And I think that’s why historical romance is so appealing. That experience of being so immersed in the story that it feels like you’re really there: strolling along in a moonlit rose garden with a duke, or taking tea in a lady’s finely appointed drawing room. And if you’re the adventurous type (like me), perhaps you find yourself riding on a cable car in San Francisco, or exploring the canals of Venice in a gondola. Whatever the tale, these new experiences are just waiting to be discovered; beckoning you, enticing you, entreating you to pause, to sit down and to spend time between the pages of a good book.”
By - Prarthana Banikya
Thanks hope this helps!
The author's diction contributes to the mood of the excerpt in this way: The informal diction creates a sympathetic mood.
<h3>What kind of diction did the author use in the text?</h3>
In this text, the author used a kind of diction that pointed to an informal tone. This is seen that the tone of the text was relaxed and not filled with academic vocabulary that will confuse a reader and make it difficult for them to understand what the author is saying. It is also quite evident in this text that the speaker sympathized with the African women who found it hard to maintain their hairstyle.
She even mentioned that she had suffered that plight before so, she understood what they were passing through. Diction refers to the kinds of words that author use to convey their thoughts in a text. So, the use of words and phrases such as "I can understand," and "I used to do it too" point to the fact that the speaker was sympathetic to the plight of the women.
Learn more about diction here:
brainly.com/question/1503891
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Answer:
valley of Death
Explanation:
The fate of the Light Brigade was their riding into the valley of Death. Seeing that the British soldiers were few in number and ill-equipped when compared to the Russian forces they went to fight against in 1854, we can say that they were literally moving into the valley of Death.
This confrontation led to the exposure of 600 of them to the attack of the Russian forces. 195 soldiers still had their horses after the first attack, but they lost 118 men in death. 127 of the men were wounded while 60 soldiers were imprisoned.
