Answer: There are quite a few origin stories on how it began, however one of them just happens to be when Fiddlin' John Carson started recording music through the covering of a pop-up studio located at 152 Nassau Street in Atlanta under Okeh Music where his recording put into motion the first efforts to push what would become the marketing for what we know as country music in 1923.
Explanation:
Answer:
Organic
Explanation:
Miriam Schapiro was a Canadian artist based focusing her work as a painter, sculptor, printmaker, and a pioneer of feminist art. According to my research on Schapiro's art, I can say that based on the information provided within the question the term used to describe a shape that suggests the natural world was Organic. In the collage being mentioned the organic shapes can be seen as the flowers and dresses.
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Answer:
True
Explanation:
For example, a car is a moving object, and the gap between the car and the car in front is active space as the space is constantly moving as well. If a collision was to occur with the car in front, the car in the back needs active space to react and take maneuvers to avoid hitting the car.
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
