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Tems11 [23]
3 years ago
11

How did The Birth of Mary present a bridge between the Gothic and the Renaissance periods? What was different in this artwork th

at influenced the artists of the Renaissance?
Arts
2 answers:
Ugo [173]3 years ago
6 0

HI There!

Question - How did The Birth of Mary present a bridge between the Gothic and the Renaissance periods? What was different in this artwork that influenced the artists of the Renaissance?

Answer - Gothic art weren't as lifelike as the ones in the Renaissance, where n the renaissance they sculpted and ppainted really life-like and real size.

Hope This Helps :)

Maslowich3 years ago
3 0

Good question, im not 100% sure but heres my guess,The Florentine School of Painting is characterized by the naturalism in painting in Florence that started to emerge in the 13th century.

The period between 1200 and 1400 in Italy provides an important bridge in Art History between the Medieval period and Byzantine and Gothic styles , and the Early Modern period and Renaissance styles.

Painters began to embrace the more naturalistic styles. Harkening back to classical figures, they created images portraying strong emotion and that paid attention to relationships between figures. Their painting expressed a type of realism not present in Byzantine styles.

Florence

Painters in this city wholeheartedly embraced naturalist styles. Harkening back to classical figures, they created images with attention to portraying strong emotions and relationships between figures—painting that expressed a type of realism not present in Byzantine styles.

One painter who demonstrated the shift that was occurring in Florentine painting during this time is Cimabue (c.1240-1302). In his Maesta the viewer may observe elements of both the earlier Byzantine style of painting, as well as the emerging Renaissance style. The work retains the gold background that was familiar in Byzantine icons , and his figures are rendered in a Byzantine style. However, Cimabue made efforts to create space in this work, which would become an important aspect in Renaissance art. His angels surrounding the Virgin and Child overlap one another to indicate space and Cimabue paid great attention to the Virgin’s throne to create a realistic depiction of space as well.

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Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]), after 1906 Piet Mondrian (/piːt ˈmɒndriɑːn/,[1][2] also US: /- ˈmɔːn-/,[3][4] Dutch: [pit ˈmɔndrijɑn]; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.[5][6] He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.[7]Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics.[8] He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man."[9] His art, however, always remained rooted in nature.

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