When the playwright Simon Stephens complained that the recession had made theatre audiences more conservative, it could have been dismissed as sour grapes. The Olivier award-winner's latest play, The Trial of Ubu, had opened to mixed reviews and proved a commercial flop, playing on one snowy Saturday night to just 54 people in a 277-seat auditorium at London's Hampstead theatre.
Now, however, two of the UK's leading playwrights, Sir David Hare and Mark Ravenhill, have expressed disquiet that subsidised theatres are avoiding challenging or experimental work in favour of more familiar or feelgood fare.
Hare said many venues that once housed less commercial work were becoming increasingly mainstream, because of a desire to make up the shortfall caused by cuts to their funding.
I think it's <span>C. Ospedale but i'm not sure.</span>
Answer:
i listen to bulnoriya by ateez
Explanation:
here is the short story i made up.
once upon a time, yunho was singing. he said, "i'm the one in my zone!" then he said, "다른 애들은 삐약!!" then he did a dance, then swooped out of the scene. then san sang after yunho left.
the end.
C percussion clef of parellel lines
