No one is sure which made it at the very start as it is very old and has evolved majorly overtime but the first acoustic guitar that would he recognized as a guitar today was invented by Antonio de Torres Jurado and the first ever electric guitar was invented by George Beauchamp and Adolph Rickenbacker
Answer:
Quality, quantity, and modification of light to accommodate tasks, save energy, and create a desired feeling of a space can make or break the success of a room and building as a whole. The study of art theory and the psychology of art are therefore important and within the study and profession of architecture.
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Answer:
Dance Suite
Explanation:
The dance suite was one of the focal musical forms of the Baroque period. Originally, they were made for dancing, but as they progressed in the Baroque era, they were then designed for listening instead, generally during important social functions. As they progressed and evolved out of the dance floor, composers started developing their suites even more complicated (still musically interesting). The Water Music also incorporated dance forms typically found in the Baroque suite. Handel combined and designed both festivity and finesse in perfect ration to retain the royal ear from tiring.
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
