The woman in the middle of the painting seen putting down telegraph lines is representative of "American Progress." Imagery is everywhere: the farmers tilling the ground, trains and people moving towards the West, Columbia (as the woman is named) laying down telegraph lines, and Native Americans and Buffalo being driven out. Most of the painting is accurate of what was happening at the time: rapid Western expansion and the push-out of the Native Americans who lived in the lands.
The most important form of imagery in this painting is Columbia. In the painting, she guides the settlers and clears the clouds above her, evoking emotion and instilling the idea of Manifest Destiny within people who view the painting.
The phrase "manifest destiny" is most often associated with the territorial expansion of the United States from 1812<span> to </span>1860<span>. This era, from the end of the War of </span>1812<span> to the beginning of the American Civil War, has been called the "age of manifest destiny".</span>
Answer:
The answer is that the conquistadors introduced <u>horses and guns</u> to the people of Mesoamerica and South America.
Explanation:
In 1519, when Hernando Cortes arrived in Mexico, he had brought the first horses to the Americas. Hernando Cortes brought 16 horses with him. Other animals that the Spaniards introduced included pigs, goats, sheep, chickens, cats, cattle, donkeys, bees and new dog species.
As the conquistadors conquered and established settlements, they introduced the indigenous people to new technologies and farming methods. The people of the land learned new farming techniques using tools such as plows. The conquistadors built homes, farms, chapels and other buildings using building patterns and designs similar to those in Europe. The soldiers also brought new weapons that helped the indigenous people to fish and hunt with greater ease.
