Answer:
Lennie is like a child in that he constantly talks with slightly bad grammar, and he exaggerates. He is either super happy or pouting. ... He treats Lennie like a little brother. He may say he wants Lennie to go away, but when Lennie offers to leave George is upset by the idea
Hello. You did not present the answer options, nor the text to which this question refers. This makes it impossible for your question to be answered accurately. However, I will try to help you in the best possible way.
To find the phrase that shows how much life and Elizabeth and James were unpleasant while they lived in the east, you will need to find the phrase that shows something negative that Elizaneth and James had to face while they were in the east. Furthermore, this phrase may show that nothing could free James and Elizabeth from this negative element, except a move to another region. This negative element can be presented by a narrator, or by James, or by Elizabeth. The important thing is that the phrase is able to show how much they were harmed by living in this region.
<span><span>By repeating the amount of time she has spent away from home</span></span>
It is the very first line from the poem “Silver” by Walter de la Mare that best illustrates alliteration, mostly because in this line the author uses a variety of syllables.
In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
