Answer:
A thin, angular man suggests the shape and size of Hartop to mean lean and slightly tall personality
Awkward sprawling indicates that he least considered those beside him, exerting power and causing inconvenience despite us lean size.
The Hartop's faces seem moulded in clay : This describes Hartop as being unresponsive and unfriendly.
Like the man, the two women were thin, with a screwed-up thinness that made them look both hard and frightened shows that the Hartop's are generally thin and that the relationship between them was not rosy and that they lived in fear.
Explanation:
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Answer:
A young deer in it's first year
Explanation:
spotted white tailed deer fawn offer one of the most appealing sight in nature
The most obvious thing here is it proves or states on how unrealistically dystopian fiction portrays social and political issues. It shows how our own society can be avoided from becoming the world that is depicted in 1984. Hope this helps!
An Infinitive phrase
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Answer:
If you're comparing the two, why not take a look at this photo (attached).
Consider what was going on during the time of the Great Depression. You have the Dust Bowl happening in the west (which you can link very easily to the first paragraph of the text. Think about looking at the visual imagery the author describes).
The author speaks a lot of the nostalgia, which again relates to the history. Right before the Great Depression, people were living this life of luxury in the Roaring 20s. Consider the look in the woman's face. How does the nostalgia read in her eyes, her body language, and so on. You can connect this feeling of nostalgia with the quote about the marigolds reflecting "the strangest times." Consider how the speaker portrays this feeling of nostalgia or the memory of what once had been.
The marigolds represent not only the past but also... what could have been. Consider how you can link the hope that can be evident as well in the woman's eyes.
These will give you three strong body paragraphs about the imagery and symbolism, all embedded in the historical context of the piece.
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