Plain and simple, it means not having to die. The fear and the enigma of death is one of the most ancient and persisting human obsessions, that has been the subject of countless mythological stories and written pieces of literature.
In classic Greek and Roman literature, gods were immortal by definition. But there is also an interesting story about Cumaean Sybil, a priestess who was pursued by Apollo. When he promised to grant her one wish if she would yield to him, she asked to live eternally. But then she changed her mind and refused Apollo, who left her to decay alive, as she didn't ask for eternal youth.
In contemporary literature, there are numerous examples of fascination with the so-called "undead" - vampires, aliens, and other uncanny creatures.
Answer D
the strength of his convictions
Major Themes in “I Dwell in Possibility”: Power of poetry, nature, and joy are the major themes of this poem. Throughout the poem, the poet tries to develop the idea that poetry possesses an ultimate power and that it is superior to other genres of literature. Its small verses, coupled with few expressions, carry infinite intent. To her, it is limitless and infinite, something that has many ways of interpreting and analyzing. She projects it as a powerful entity that allows its readers to feel things beyond rational thoughts. It allows us to experience feelings, rejoice pleasures and escape from the world around us. Hence, poetry, with its limitless possibilities, turn impossible things into possible ones.
The correct answer should be B. urban
The majority of them were positioned randomly in a field segregated from everything else. They were extremely lucrative and very self-sufficient considering that slave states had people working there for free.
Answer:
Arna Bontemps was born in 1902 in Louisiana. His family then moved to L.A. when he was around 3 years old after his father was threatened. He grew up in California and was sent to a Fernando Academy boarding school. He graduated from Pacific Union College in Angwin in 1923.
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