This question asks for an essay, which is a personal task that only you can complete. However, we are still able to provide some guidance that can help you complete your work.
In her "Letter to Napoleon III," Elizabeth Barrett Browning employs several rhetorical strategies to urge Napoleon III to forgive the author Victor Hugo and free him from his imprisonment.
Browning uses ethos when she presents herself as a fair person. Ethos refers to an appeal to credibility, and Browning employs it when she agrees with Napoleon about the wrong nature of Victor Hugo's actions. She also employs a paradox to force Napoleon to pay close attention to her argument. The paradox is that, even though Victor Hugo acted against the emperor, he deserves to be free. Browning employs anaphora when she repeats the phrase "what touches you" in order to convince Napoleon of the importance of his reputation. Finally, she uses pathos (an appeal to emotion) when she highlights how grateful and admiring Napoleon's subjects will be if he pardons Victor Hugo.
The answer should be B, please mark as brainliest!
<h3><u>
Answer:</u></h3>
The speaker wants to indicate readers the important thing is how they can understand the poem
<h3><u>
Explanation:</u></h3>
A contribution to statistics is a poem written by wislava szymborska from poland. He has also been awarded Nobel Prize in 1996. Here the not approximate numbers are our efforts to measure the life in which we often fail because we want the world to be as we want which is never possible even if we try to.
The only thing which is going to happen and is certain is death and we have an exact number which is death. In the poem the poet goes from exact numbers to approximate numbers to show how people feel about them, they are not just numbers but it's upon people's mind how they perceive them. According to the speaker, the most likely reason the books will last even after people are gone is because they were created by ideas
Then turn the channel tuner to a station and make sure not to have the plug out or off
