Answer: B) Even in a new place with new people, travelers never escape their old problems.
Explanation:
<em>The Tempest</em> tells a story about Prospero, a magician who was utterly betrayed by his brother and forced to flee his dukedom. Caught in a tempest, he arrives on an enchanted island together with his daughter, Miranda.
The characters in the play have multiple times found themselves in a situation where they could behave in disagreement with their social status. However, they continue to act in accordance with their societal roles. The most obvious example of this is Prospero himself, who is determined to recover his title, although he now rules the entire island and has a servant (Ariel) and a slave (Caliban). Instead of being pleased with this situation, he plots a revenge to regain his title, because this is how it works in his society.
In addition, Miranda and Ferdinand are not intimate even when there is nobody around them, because they are used to controlling their urges. Both Caliban and Stephano and Trinculo do not reach freedom as they are convinced by the society that they belong to a lower class.
Answer:
Yet before the narrator goes any further in the tale, he describes the circumstances and the social rank of each pilgrim. He describes each one in turn, starting with the highest status individuals. Chaucer's voice, in re-telling the tales as accurately as he can, entirely disappears into that of his characters, and thus the Tales operates almost like a drama. Where do Chaucer's writerly and narratorial voices end, and his characters' voices begin? This self-vanishing quality is key to the Tales, and perhaps explains why there is one pilgrim who is not described at all so far, but who is certainly on the pilgrimage - and he is the most fascinating, and the most important by far: a poet and statesman by the name of Geoffrey Chaucer.
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Explanation:
Explanation:
"religions" is the antecedent
The prince decides that instead of putting Romeo to death he exiles him......which Romeo thinks its wore than death