Interpretation is the explanation after understanding. It is very direct in approach and avoids the use of any passive verbs. However, in this case, the statement in <em>"Option-B"</em> is the epitome of interpretation. It is very direct in nature and can not be broken into more facts for understanding the dialogue in a better way. However, other options provided here can be broken into sections to understand a few more facts hidden in the statements.
Therefore, no other option can be counted as a correct answer to this query.
Answer:
Esperanza must define herself both as a woman and as an artist, and her perception of her identity changes over the course of the novel. In the beginning of the novel Esperanza wants to change her name so that she can define herself on her own terms, instead of accepting a name that expresses her family heritage.
Explanation:
The term "tabula rasa" means "blank slate."
Locke believed that each of us were born with a blank slate. This means that our minds, according to Locke, were entirely blank -- without rules, preconceptions, or information.
This slate would slowly be "filled in" by sensory experiences. Our sensory experiences, Locke believed, would add the information and the rules necessary to learn further.
Answer:
Ah, I believe it is D?
Explanation:
Well, by POE, we know that Ingersoll...
a. Didn't use symbols. There are barely, if not, any symbols.
b. Metaphors are kind of saying one thing but meaning another thing. From the passage, it appears that Ingersoll uses metaphors, but not really (don't be fooled!)
c. I'm not sure about you, but I don't see anything from this passage that can relate to all readers in general. Maybe to more specific ones? But no.
d. This leaves us with D. By using alliteration, Ingersoll emphasizes the role drama plays in society, which evokes strong emotion. Now, if you read the passage, you can see that Ingersoll really did emphasize the role drama plays in society.
I've never learned about Ingersoll but I hope this helps. So sorry if it turned out to be wrong.
