Answer:
a guest room that is ready to be sold to a new guest.
Explanation:
<span>After Jack learns that Miss Prism accidentally left him in the handbag at Victoria station, he embraces her with joy. She is taken aback, claiming that she is unmarried, and he goes on to mention that, while “that is a serious blow” to know his ‘mother’ had gotten pregnant from a random man, there is no need “to be one law for men and another for women” and she is forgiven (177). Wilde is trying to state that women and men should be on the same respective level when it comes to matters of fault. He forgives her for her “act of folly”, saying that women should be forgiven just as easily as men can be forgiven for their wrongdoings, like how easily Jack and Algernon were forgiven by the girls for lying about their names (177).</span>
Answer: The last one.
Explanation: Ummm.. Well everything else was already scientifically proved. So the last one.
The topic of affection as resistance to authority is transformed and amplified within the lyric poetry of John Donne and Robert Herrick.
In work filled with a experience of the fragility and shortness of lifestyles, those poets contribute to an ethos that has end up acknowledged by way of the name carpe diem, a word made well-known by Horace,
“who in Ode, I. xi, tells his mistress that life is short, so they should ‘enjoy the day’, for they do not recognise if there can be a tomorrow”.1 Horace’s line
and all who've observed due to the fact that, to live now, and love now, due to the fact each second of scruple, doubt, and delay brings women and men in the direction of a demise this is non-negotiable and everlasting. In poetry, and in life, the idea of death becomes love’s greatest ally in its struggle in opposition to the demands of authority, conference, and regulation.
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