It helps relieve pressure and it calms down your brain so you can think clearly.
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
I believe the correct answer is c. Debussy
The Tower, by Robert Delaunay
The cubist artist Robert Delaunay was fascinated by the Eiffel Tower, and during his life he painted the famous French tower time and again, as you can see below:
Robert Delaunay
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
As the world’s tallest monument at the time, the Eiffel Tower was for Delaunay a symbol of both modernity and masculinity, and he depicted it time and again. He was among the first artists to focus on this Parisian landmark as a subject. Rather than represent the Eiffel Tower from one view, Delaunay’s drawing uses rhythmically placed lines and patterns to capture his experience of the tower from multiple perspectives.
The drawing is an example of Delaunay’s engagement with the dynamic architecture of Paris at the turn of the 20th century. The Eiffel Tower was just one of the exciting public projects undertaken during an era that would later be described as the Belle Époque (French for “beautiful era”). In comparison to the horrors of World War I that would follow it, the Belle Époque was a time of peace, invention, and intense art production for France and its neighbors.
